SCOREBOARD
CDG Great South Eastern Championships Star Event - 06/15/2025
Dressage
12 Advanced Freestyle
Gill Morely (H)
Maria Schwennesen (C)
Robin Friend (B)
Danielle Keogh
WILLOWBURN FURSTIN BONNE
7642
71.233
(H) :
Movement Scores 10 = *, 0.5 = +
7787+7+87+76+76+76+67.47.87.97+8
73.850
1
(C) :
Movement Scores 10 = *, 0.5 = +
76+7+777747776+76+777.29.67.3
71.225
1
(B) :
Movement Scores 10 = *, 0.5 = +
776+7+7+77676+766+6+76+777+
68.625
2
1
Hannah Lewindon
BYALEE BRACELET
6916
68.100
(H) :
Movement Scores 10 = *, 0.5 = +
6+76+6+776+6+6+76+756+6.76.86.86.97
66.700
2
(C) :
Movement Scores 10 = *, 0.5 = +
76+7775+6675+7766+77.2777.4
67.850
2
(B) :
Movement Scores 10 = *, 0.5 = +
76+6+7776+77+777+56+7+77+77+
69.750
1
2
Rachel Berry
BLENHEIM PARK FOOTLOOSE
6285
65.808
(H) :
Movement Scores 10 = *, 0.5 = +
7776+776+6+75+645+66.76.86.86.97
65.950
3
(C) :
Movement Scores 10 = *, 0.5 = +
7766+776+77+66+3+4776+6.86.37
65.100
3
(B) :
Movement Scores 10 = *, 0.5 = +
6+77776766+665+6+67676+7+
66.375
4
3
Darcy Flanagan
BENCHMARK LIVE IT UP
7420
65.000
(H) :
Movement Scores 10 = *, 0.5 = +
6+776+6+66+6+65+5+655+6.66.76.86.96.9
64.775
4
(C) :
Movement Scores 10 = *, 0.5 = +
76+66+66666+666+456.76+6.66+6.8
62.475
4
(B) :
Movement Scores 10 = *, 0.5 = +
777+7+77+77776+4+6+6+76+767
67.750
3
4
×
,
Place
(H)
(C)
(B)
1. The entrance and halts at the beginning and the end of the test
2. Collected walk (minimum 10m)
2
3. Extended walk (minimum 20m)
2
4. Extended trot
5. Collected trot – shoulder-in right
6. Collected trot – shoulder-in left
7. Collected trot – half pass right
2
8. Collected trot – half pass left
2
9. Extended canter
10. Collected canter – half pass right
11. Collected canter – half pass left
12. Flying changes of leg every 4th and/or 3rd stride – minimum 3 times consecutively
13. Working half pirouette in canter – right (max 2m)
2
14. Working half pirouette in canter – left (max 2m)
2
15. Rhythm, energy and elasticity
4
16. Harmony between rider and horse
4
17. Choreography. Use of arena. Inventiveness
4
18. Degree of difficulty. Well calculated risks
4
19. Choice of music and interpretation of the music
4