SCOREBOARD
2021 Hygain WA State Dressage Championships - 09/05/2021
Dressage
59 Medium Freestyle
Riders 5
O
P
J
A
No
Rider/Horse
Total %
1
3190
Terrina Fairbrother
INTRUDER
69.025
Movement Scores 10 = *, 0.5 = +
6+7787+766+7+77777+7777.3
70.550%
1
Movement Scores 10 = *, 0.5 = +
776+867+7677+6+6+7776+67
67.500%
1
2
2806
Tessa Mcqueen
YR
DVZ FAIRMONT
65.363
Movement Scores 10 = *, 0.5 = +
6+77+66+766+77+6+5+476+76.86.8
65.725%
2
Movement Scores 10 = *, 0.5 = +
76+6+5+6+76+7666546+6+76+8
65.000%
2
1
2288
Mia Tollarzo
EVERTON PARK GEORGIAN OAK
62.438
Movement Scores 10 = *, 0.5 = +
766756+6676+66+6+6.76.8776+
65.125%
3
Movement Scores 10 = *, 0.5 = +
6+66+656566+5655666+67
59.750%
3
2
3836
Shania Benbow
REVELWOOD MARMADUKE
60.163
Movement Scores 10 = *, 0.5 = +
756+7776+6+756+34766.76.57.5
63.325%
4
Movement Scores 10 = *, 0.5 = +
6+6+66+6+76666+624+56656+
57.000%
5
3
3183
Suzanne Simons
COORAMIN RASPBERRY HIT
59.500
Movement Scores 10 = *, 0.5 = +
676+76666656+446+66+67
60.625%
5
Movement Scores 10 = *, 0.5 = +
66+6+6+66+6646+554+56666+
58.375%
4
Scr
818
Anna Latto
ARTAIUS
Movement Scores 10 = *, 0.5 = +
Movement Scores 10 = *, 0.5 = +
Scr
2604
Tracey Strommer
VALCARTIER
Movement Scores 10 = *, 0.5 = +
Movement Scores 10 = *, 0.5 = +
Scr
3014
Stephanie Munro
PRIMROSE COURT GENEVA
Movement Scores 10 = *, 0.5 = +
Movement Scores 10 = *, 0.5 = +
×
,
O
Kerrie Swan-Bates (C)
Virginia Longley (B)
(C)
(B)
1. The entrance and halts
2. Medium walk (minimum 10m consecutive)
3. Extended walk (minimum 20m consecutive)
2
4. Extended trot
5. Collected trot – shoulder-in right
2
6. Collected trot – shoulder-in left
2
7. Collected trot – half pass right
2
8. Collected trot – half pass left
2
9. Extended canter
10. Collected canter – half pass right
11. Collected canter – half pass left
12. Flying change of leg from right to left
2
13. Flying change of leg from left to right
2
14. Rhythm, energy and elasticity
4
15. Harmony between rider and horse
4
16. Choreography. Use of arena. Inventiveness
4
17. Degree of Difficulty. Well calculated risks
4
18. Choice of music and interpretation of the music
4