SCOREBOARD
CDG Great South Eastern Championships Star Event - 06/15/2025
Dressage
12 Advanced Freestyle
Riders 4
O
P
J
A
No
Rider/Horse
Total %
1
7642
Danielle Keogh
WILLOWBURN FURSTIN BONNE
71.233
Movement Scores 10 = *, 0.5 = +
7787+7+87+76+76+76+67.47.87.97+8
73.850%
1
Movement Scores 10 = *, 0.5 = +
76+7+777747776+76+777.29.67.3
71.225%
1
Movement Scores 10 = *, 0.5 = +
776+7+7+77676+766+6+76+777+
68.625%
2
2
6916
Hannah Lewindon
BYALEE BRACELET
68.100
Movement Scores 10 = *, 0.5 = +
6+76+6+776+6+6+76+756+6.76.86.86.97
66.700%
2
Movement Scores 10 = *, 0.5 = +
76+7775+6675+7766+77.2777.4
67.850%
2
Movement Scores 10 = *, 0.5 = +
76+6+7776+77+777+56+7+77+77+
69.750%
1
3
6285
Rachel Berry
BLENHEIM PARK FOOTLOOSE
65.808
Movement Scores 10 = *, 0.5 = +
7776+776+6+75+645+66.76.86.86.97
65.950%
3
Movement Scores 10 = *, 0.5 = +
7766+776+77+66+3+4776+6.86.37
65.100%
3
Movement Scores 10 = *, 0.5 = +
6+77776766+665+6+67676+7+
66.375%
4
4
7420
Darcy Flanagan
BENCHMARK LIVE IT UP
65.000
Movement Scores 10 = *, 0.5 = +
6+776+6+66+6+65+5+655+6.66.76.86.96.9
64.775%
4
Movement Scores 10 = *, 0.5 = +
76+66+66666+666+456.76+6.66+6.8
62.475%
4
Movement Scores 10 = *, 0.5 = +
777+7+77+77776+4+6+6+76+767
67.750%
3
×
,
O
Gill Morely (H)
Maria Schwennesen (C)
Robin Friend (B)
(H)
(C)
(B)
1. The entrance and halts at the beginning and the end of the test
2. Collected walk (minimum 10m)
2
3. Extended walk (minimum 20m)
2
4. Extended trot
5. Collected trot – shoulder-in right
6. Collected trot – shoulder-in left
7. Collected trot – half pass right
2
8. Collected trot – half pass left
2
9. Extended canter
10. Collected canter – half pass right
11. Collected canter – half pass left
12. Flying changes of leg every 4th and/or 3rd stride – minimum 3 times consecutively
13. Working half pirouette in canter – right (max 2m)
2
14. Working half pirouette in canter – left (max 2m)
2
15. Rhythm, energy and elasticity
4
16. Harmony between rider and horse
4
17. Choreography. Use of arena. Inventiveness
4
18. Degree of difficulty. Well calculated risks
4
19. Choice of music and interpretation of the music
4